Sunday 29 January 2012, by pour U2 France
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by Steven Rea
It was Wim Wenders’ eureka moment: sitting in a theater in 2007, he slipped on a pair of black plastic 3-D specs and settled back to watch his buddy Bono in the giant screen concert film, U2 3D. And suddenly, everything became clear – he knew how to make his long-discussed documentary about internationally renowned choreographer Pina Bausch.
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